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Rodel Tapaya Exhibit "Urban Labyrinth"

The Comedy, Parody, and Tragedy

Rodel Tapaya

This painting (2018) from Tapaya’s Urban Labyrinth series swirls with hybrid beings, masks, and mythic figures at a chaotic table. Angelic wings, demonic grins, and spectral visages blur folk imagination with urban satire. Tapaya weaves Philippine mythology into contemporary critique, where humor and menace mirror the fractured realities of modern city life.

Château de Chantilly

Expulsion from Eden

Maître des Médaillons

This French manuscript miniature (early 15th c.) shows Adam and Eve after the Fall, modestly covering themselves with leaves. An angel descends with a robe, while the Tree of Knowledge burns red above them. To the right stands a stone building, symbolizing exile from Paradise. The vivid colors and fine detail reflect late medieval devotional art.

Pinacoteca Ambrosiana

Portrait of a Musician

Leonardo da Vinci

This intimate oil on panel (c. 1485) is Leonardo da Vinci’s only known male portrait. Likely depicting a court musician in Milan, the sitter clutches a sheet of music, suggesting both profession and intellect. The unfinished lower section contrasts with the intense gaze, highlighting Leonardo’s interest in capturing psychological presence over ornamental finish.

Pantheon

Pantheon with Macuteo Obelisk and Fountain

Filippo Barigioni

The Pantheon’s façade (118–125 AD), built under Emperor Hadrian, preserves Agrippa’s earlier inscription (M·AGRIPPA·L·F·COS·TERTIVM·FECIT - Marcus Agrippa, son of Lucius, consul for the third time, built this). Before it stands the Macuteo Obelisk from Egypt (rededicated here in 1711) and the Baroque fountain by Filippo Barigioni (1711), blending imperial Rome, Christian Rome, and papal urban renewal into one historic vista.

Rodin Museum

The Cathedral

Auguste Rodin

This 1908 sculpture features two right hands reaching towards each other, symbolizing connection and unity. Initially named The Arch of Alliance, it was inspired by Gothic cathedral rib vaults and renamed in 1914. The texture and interplay of light and shadow evoke prayer and contemplation. This work marks Rodin’s shift from realism to modernism, emphasizing emotional depth over physical form.

Rodin Museum

The Thinker

Auguste Rodin

Rodin's iconic bronze sculpture, The Thinker(1904), depicts a nude male figure in deep contemplation, symbolizing profound thought. Originally part of The Gates of Hell, it reflects on philosophy and introspection. This one is the monumental casting, with 27 full-sized versions worldwide. The masterpiece invites viewers to ponder life's complexities, embodying the universal quest for understanding and intellectual pursuit.

Memorial Museum of Dominican Resistance

El pueblo en lucha

Ramón Oviedo

This mural (2013) shows a bound, faceless figure hurling itself toward the dark mouths of cannons, while ghostly soldiers and crowds emerge in the background. The scene recalls the Dominican struggle against dictatorship and foreign intervention in the 20th c. By fusing a single straining body with collective, blurred forms, Oviedo concentrates individual sacrifice into a broader history of resistance.

Bourdelle Museum

Hercules the Archer

Antoine Bourdelle

This plaster sculpture (1906–09) shows Hercules, the Greek hero, drawing his bow with taut energy. Bourdelle captures both physical strain and mythic power, fusing classical subject with modern dynamism. The work marks a turning point in early 20th-c. sculpture, bridging academic tradition with expressive innovation.

Independence Museum

Champán en el río Magdalena

De la Rue & Torres Méndez

This 1878 lithograph depicts a champán, a flat-bottomed river raft common on the Magdalena River, propelled by Afro-Colombian workers using long poles. Wealthy passengers rest under a thatched shelter, highlighting the stark racial and class divisions of the era. The image captures both Colombia’s natural landscape and its colonial labor hierarchies in transition.

Jardin des Tuileries

The Tree of Vowels

Giuseppe Penone

This monumental bronze sculpture (2000) shows a fallen oak with roots extending like veins across the ground. Installed in the Jardin des Tuileries, it demonstrates Penone’s exploration of the connection between humanity and nature. The work combines organic memory with sculptural permanence, inviting reflection on time, fragility, and the endurance of natural forms.

Museo Botero

Adam and Eve

Fernando Botero

These 1999 bronze figures reimagine the biblical first humans with Botero’s hallmark voluminous style. Their serene, exaggerated forms strip the myth of guilt and drama, offering a playful yet dignified meditation on innocence, corporeality, and the timeless tension between flesh and spirit.

Ásgrímur Jónsson Museum

Earth (Mother Earth)

Einar Jónsson

Einar Jónsson’s sculpture (1904–1908) portrays a monumental figure cradling a smaller, draped form symbolizing Earth. Blending allegory and myth, it reflects Icelandic spirituality and cultural narratives. The work embodies humanity’s protective yet dependent bond with nature, inviting reflection on cosmic order and the fragility of existence.

St. Ignazio di Loyola

The Apotheosis of St. Ignatius

Andrea Pozzo

This Baroque trompe-l’œil painting (1685–94) transforms the flat ceiling into a soaring heavenly vision. St. Ignatius is welcomed into paradise by Christ and the Virgin, while allegories of the continents celebrate Jesuit missions. Pozzo’s masterful illusionism merges faith, perspective, and global ambition.

Caravaggio's Roman Period

John the Baptist (Youth with a Ram)

Caravaggio

Painted around 1602, this work portrays John the Baptist as a youthful figure embracing a ram. Caravaggio departs from solemn prophecy to present vitality, sensuality, and human immediacy. The saint’s glance engages the viewer, while the animal evokes sacrifice and redemption. Through natural light and unidealized form, the painting fuses biblical meaning with raw, earthy presence.

Villa Farnesina

The Wedding Banquet of Cupid and Psyche

Raphael

In this grand fresco (1518), Raphael depicts the divine banquet celebrating the marriage of Cupid and Psyche. At the center, Jupiter and Juno preside; beside them sit Pluto, Persephone, Neptune, and Venus. Ganymede offers wine to Jupiter, while Bacchus (Dionysus), assisted by putti, pours wine at the right. The scene embodies divine harmony, joy, and the union of soul and love.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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