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Château de Chantilly

Five Dancing Angels (detail)

Giovanni di Paolo

This detail (c.1436) comes from Giovanni di Paolo’s Five Dancing Angels. Here, three angels join hands in a celestial dance while another plays the trumpet before a golden sun, symbolizing God. Their flowing robes and rhythmic gestures convey divine harmony, reflecting the spiritual intensity of 15th-c. Sienese art.

Pinacoteca Ambrosiana

Male Portrait

Hans Muelich

This portrait (c. 1550) reflects the refined realism of the German Renaissance. The sitter’s composed gaze, luxurious attire, and elegant glass signify affluence and cultured leisure. The distant path and village in the background may allude to the subject’s journey, social standing, or inner world.

Raphael/Giulio Romano - The Fire in the Borgo

Fire in the Borgo

Rapahael and Giulio Romano

This fresco (1514) captures a legendary fire in Rome's Borgo district, illustrating divine intervention through Pope Leo IV's prayer. The fresco, part of the Raphael Rooms in the Vatican, blends classical and Renaissance elements, showcasing dynamic figures and architectural precision. This work reflects the era's belief in the power of faith and the church's central role in societal protection and order.

Pinacoteca Ambrosiana

The Infant Jesus with a Lamb

Bernardino Luini

This oil and tempera on panel (c. 1525) captures the tenderness of the Infant Jesus, or Gesu Bambino, embracing a lamb—a symbol of his future sacrifice as the Lamb of God. Luini’s High Renaissance style blends divine purity and human innocence, creating a serene image of spiritual love and redemptive foreshadowing.

Galleria Spada

Perspective Gallery

Francesco Borromini

Created for Cardinal Spada, this architectural illusion (1653) compresses nine meters into an illusion of great depth. By subtly reducing the size of columns, floor tiles, and ceiling coffers, Borromini crafted a vanishing point that evokes grandeur. The statue at the end, appearing monumental, is just 90 cm tall—transforming scale into metaphysical reflection.

Museo Botero

Leda and the Swan

Fernando Botero

This 1996 bronze sculpture reinterprets the myth in which Zeus, king of the gods, seduces or assaults Leda, Queen of Sparta, in the form of a swan. From their union, according to legend, were born Helen of Troy and other heroic figures. Botero’s voluptuous forms soften the myth’s violence, transforming it into a surreal, sensual tableau. His signature style invites reflection on desire, divinity, and the boundary between seduction and power.

Rodin Museum

The Thinker

Auguste Rodin

Rodin's iconic bronze sculpture, The Thinker(1904), depicts a nude male figure in deep contemplation, symbolizing profound thought. Originally part of The Gates of Hell, it reflects on philosophy and introspection. This one is the monumental casting, with 27 full-sized versions worldwide. The masterpiece invites viewers to ponder life's complexities, embodying the universal quest for understanding and intellectual pursuit.

Galleria Borghese

Apollo and Daphne with The Apotheosis of Romulus

Gian Lorenzo Bernini, Mariano Rossi

Bernini’s sculpture (1622–25) captures the climactic moment in Ovid’s Metamorphoses when the nymph Daphne, fleeing Apollo’s desire, transforms into a laurel tree. Above, Rossi’s Apotheosis of Romulus celebrates Rome’s divine origins. Romulus ascends, clutching Roma—helmeted symbol of the eternal city—while Fame, winged and bearing a trumpet, heralds his glory with laurel crowns. Together, sculpture and fresco exalt mythic transformation and Rome’s enduring legacy.

Museo Luis Alberto Acuña

Chiminigagua Releases Light

Luis Alberto Acuña

Detail from a mural (1960–70s) reimagining the Chibcha creation myth. The supreme god Chiminigagua raises his arms as radiant birds burst forth, bringing light to the cosmos. A glowing sun and celestial rainbow crown the scene, marking the divine act that initiated life and order in the Muisca universe.

Museo Luis Alberto Acuña

Descent from the Cross

Luis Alberto Acuña

Acuña (mid-1950s) renders the moment of Christ’s body being lowered from the cross with emotional gravity and communal sorrow. The composition emphasizes solidarity in grief, surrounding Christ with figures of all ages and backgrounds, reinforcing the universality of human suffering and compassion.

Palazzo Borromeo

Tapestry of Fantastical Beasts in a River

Michael Coxcie

Woven in Brussels (c.1565) in a Flemish workshop according to Coxcie's design, this tapestry depicts hybrid beasts and serpents in a dense river landscape reflecting Renaissance fascination with nature’s wildness and moral allegory, symbolizing sin and chaos before divine order.

Palacio de Bellas Artes

Man, Controller of the Universe (detail)

Diego Rivera

This section of Rivera’s 1934 recreated mural shows Lenin uniting workers of different races and nations, flanked by scientific, agricultural, and cosmic imagery. It contrasts socialism’s collective promise with capitalist individualism. The original was destroyed at Rockefeller Center.

Ásgrímur Jónsson Museum

The Earth

Einar Jónsson

Jónsson’s bronze sculpture, The Earth (1904–1908), features a seated figure cradling a smaller form, reflecting his shift to Symbolism after 1903. It explores themes of life, death, and the cyclical nature of existence. Jónsson, a pioneering Icelandic sculptor, studied at the Royal Danish Academy of Fine Arts, significantly influencing the evolution of Icelandic art.

Villa Farnesina

Head of a Youth

Michelangelo

This charcoal head of a youth (1511–12) fills a shallow lunette, the face turned sharply upward and modeled with dense, sculptural shading. Created while Michelangelo worked at Villa Farnesina, it is understood as a visual homage to Raphael’s work in the same setting. The fusion of muscular anatomy with a calm, idealized profile demonstrates how Michelangelo engaged directly with Raphael’s Renaissance style.

St. Ignazio di Loyola

The Apotheosis of St. Ignatius

Andrea Pozzo

Max captures The Apotheosis of St. Ignatius (1685–1694) using a viewing mirror beneath the ceiling, enhancing Pozzo’s Baroque illusionism. This optical device unveils the masterful perspective that transforms the flat vault into a celestial vision, merging art and exemplifying the Baroque fascination with perspective: a dynamic interplay between earthly and divine realms.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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