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Palazzo Borromeo

Tapestry of Fantastical Beasts in a River

Michael Coxcie

Woven in Brussels (c.1565) in a Flemish workshop according to Coxcie's design, this tapestry depicts hybrid beasts and serpents in a dense river landscape reflecting Renaissance fascination with nature’s wildness and moral allegory, symbolizing sin and chaos before divine order.

Museo Luis Alberto Acuña

Chiminigagua Releases Light

Luis Alberto Acuña

Detail from a mural (1960–70s) reimagining the Chibcha creation myth. The supreme god Chiminigagua raises his arms as radiant birds burst forth, bringing light to the cosmos. A glowing sun and celestial rainbow crown the scene, marking the divine act that initiated life and order in the Muisca universe.

Pinacoteca Ambrosiana

The Infant Jesus with a Lamb

Bernardino Luini

This oil and tempera on panel (c. 1525) captures the tenderness of the Infant Jesus, or Gesu Bambino, embracing a lamb—a symbol of his future sacrifice as the Lamb of God. Luini’s High Renaissance style blends divine purity and human innocence, creating a serene image of spiritual love and redemptive foreshadowing.

Rodin Museum

The Thinker

Auguste Rodin

Rodin's iconic bronze sculpture, The Thinker(1904), depicts a nude male figure in deep contemplation, symbolizing profound thought. Originally part of The Gates of Hell, it reflects on philosophy and introspection. This one is the monumental casting, with 27 full-sized versions worldwide. The masterpiece invites viewers to ponder life's complexities, embodying the universal quest for understanding and intellectual pursuit.

Santa Maria in Aracoeli Basilica

Christ in Majesty

Pinturicchio

Nikolo-Dvorishchensky Cathedral (1113) rises in compact tiers with clustered domes and narrow slit windows. Its pale plaster, often pink in daylight, stands in Yaroslav’s Court, the precinct founded by Yaroslav the Wise. Commissioned by Prince Mstislav to honor St Nicholas, it shaped the civic core of the Novgorod Republic and adapted Byzantine forms locally. The white building behind is part of the 17th-c. Merchant Court complex.

Palacio de Bellas Artes

The Legend of Agustín Lorenzo (detail)

Diego Rivera

This 1936 fresco dramatizes the legendary outlaw Agustín Lorenzo as a symbol of resistance. Armed revolutionaries clash with government forces, their horses rearing amid smoke and flames. Rivera fuses myth and history, casting Lorenzo as a Mexican Robin Hood whose defiant struggle against injustice became folklore in the national imagination.

St. Ignazio di Loyola

The Apotheosis of St. Ignatius

Andrea Pozzo

This Baroque trompe-l’œil painting (1685–94) transforms the flat ceiling into a soaring heavenly vision. St. Ignatius is welcomed into paradise by Christ and the Virgin, while allegories of the continents celebrate Jesuit missions. Pozzo’s masterful illusionism merges faith, perspective, and global ambition.

Galleria Borghese

St. Jerome Writing

Caravaggio

This introspective painting (1605–6) shows Saint Jerome translating the Bible, immersed in thought. A skull atop the desk serves as a memento mori (remembrance of death), while dramatic lighting and vivid red drapery highlight the tension between divine labor and mortal fragility. Caravaggio transforms study into a spiritual battleground of flesh, faith, and time.

Galleria Borghese

Apollo and Daphne

Bernini

This electrifying marble group (1622–25) freezes the climax of Ovid’s tale as Daphne begins to turn into a laurel tree to escape Apollo’s grasp. Her fingers sprout leaves, her torso hardens into bark. Bernini renders transformation with astonishing fluidity, embodying Baroque ideals of movement, emotion, and divine drama.

Pinacoteca Ambrosiana

Christ Blessing

Bernardino Luini

In this serene image of Christ (c. 1520), Luini captures divine benevolence with a gentle gesture of blessing. The soft modeling of features, rich red garment, and delicate curls echo Leonardo da Vinci’s influence, yet Luini’s style emphasizes a tranquil spirituality. The raised hand unites authority with compassion, inviting personal devotion.

Rembrandt House Museum

Bust of a Bearded Old Man

Rembrandt

This painting (c. 1630) by Rembrandt van Rijn exemplifies the tronie genre, focusing on character over identity. The expressive face of the elderly man, rendered in oil on panel, showcases Rembrandt’s mastery of light and shadow. As one of his smallest works, it explores themes of old age, capturing the nuances of human expression and emotion, marking an early exploration of the artist’s fascination with the human condition.

Museo Botero

Leda and the Swan

Fernando Botero

This 1996 bronze sculpture reinterprets the myth in which Zeus, king of the gods, seduces or assaults Leda, Queen of Sparta, in the form of a swan. From their union, according to legend, were born Helen of Troy and other heroic figures. Botero’s voluptuous forms soften the myth’s violence, transforming it into a surreal, sensual tableau. His signature style invites reflection on desire, divinity, and the boundary between seduction and power.

Villa Farnesina

Bacchus and Ariadne

Baldassare Peruzzi

Painted c. 1511 in the Loggia of Galatea, Villa Farnesina, this scene depicts Bacchus, the god of wine, with Ariadne, whom he marries after her abandonment by Theseus. The golden mosaic-like background evokes classical luxury, while Peruzzi’s composition aligns with the villa’s mythological and astrological themes. This artwork reflects Renaissance fascination with classical mythology and the interplay of fate and divine intervention.

Tintoretto, Birth of a Genius

Judith Beheading Holofernes

Jacopo Tintoretto

This painting (c. 1577) by the studio of Jacopo Tintoretto depicts the biblical scene where Judith beheads Holofernes, an Assyrian general, to save her people. Executed in the Mannerist style, it emphasizes tension and emotion, typical of the Late Renaissance. The scene symbolizes courage and divine justice, reflecting the era’s interest in heroic narratives.

Galleria Borghese

Pauline Bonaparte as Venus Victrix

Antonio Canova

This statue (1805–08) presents Pauline Bonaparte, sister of Napoleon, as Venus, reclining semi-nude and holding the golden apple of victory. Commissioned by her husband Camillo Borghese, the statue blends neoclassical elegance with sensual myth. Its rotating base once allowed viewers to admire it from every angle.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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