Travel With Max Learn  •  Admire  •  Soar
Mythical Vases: The Heroes of the Jatta National Museum

The Garden of the Hesperides

Lycurgus Painter

This Apulian red-figure volute krater (360–345 BC) shows maidens guarding the golden apples gifted by Gaia, with the serpent Ladon coiling around the sacred tree. Heracles is tasked with retrieving these apples in his final labor. The scene symbolizes the hero's triumph over peril, reflecting the ancient Greek themes of challenge and victory.

Villa Farnesina

Mercury Brings Psyche up to Olympus

Raphael

In this fresco (1517–18), Raphael depicts Mercury escorting Psyche to Olympus, symbolizing her apotheosis. Mercury’s winged hat and caduceus highlight his role as divine messenger, while Psyche embodies the soul’s ascent to immortality. The scene reflects Renaissance fascination with classical myths as allegories of spiritual transformation.

Château de Chantilly

Arab Chieftains in Council

Horace Vernet

This 1834 work depicts Arab chieftains in council, likely discussing tribal matters or alliances. Vernet, a French artist known for battle scenes and Orientalist themes, illustrates the 19th-c. European interest in the Orient. The painting reflects the complex interplay of art, culture, and imperialism of the era.

Frida Kahlo Museum

Viva la Vida, Watermelons

Frida Kahlo

Painted just days before her death in 1954, this still life features ripe watermelons—some whole, some cut—bursting with color and vitality. The inscription Viva la Vida (Long Live Life) appears carved into a slice, signed and dated by Kahlo. Though her body was failing, this joyful image radiates defiance and reverence for life’s beauty amid suffering.

Pinacoteca Ambrosiana

Holy Family with Saints John, Tobias, and Raphael

Bonifazio Veronese

This Venetian Renaissance oil-on-canvas work (1525–27) expands the traditional Holy Family to include St John, Tobias, and the Archangel Raphael. Rich in color and detail, it blends divine iconography with human warmth, echoing the era’s interest in sacred storytelling through vivid, earthly scenes.

Museo Luis Alberto Acuña

Indo-American Scene

Luis Alberto Acuña

A lone, naked rider on horseback drinks from a forest stream, immersed in a lush tropical setting. Acuña's painting (1950-60s) evokes a primordial connection between Indigenous people and the natural world, blending mythic and symbolic elements into a vision of harmony, solitude, and ancestral presence.

Memorial Museum of Dominican Resistance

Silenced by Pain

Ángel Haché

This mixed-media work (2014) uses corrugated cardboard to depict three anguished nude figures pierced through the head by jagged red waves, symbols of auditory torture or psychological trauma. Their tense bodies and gestures of covering their ears suggest helplessness before systemic violence. The scene recalls the enforced silence and invisible suffering experienced under Trujillo’s dictatorship in the Dominican Republic.

Hôtel-Dieu

Archangel Michael Weighing Souls

Rogier van der Weyden

In this panel from the Last Judgment Altarpiece (1445–50), Archangel Michael dominates the scene, balancing souls in golden scales as Christ presides above. Trumpeting angels herald resurrection while the blessed and damned await their fate. Painted for Beaune’s Hôtel-Dieu, the work reminded patients that earthly suffering was framed within the ultimate hope of divine justice and salvation.

Villa Farnesina

Cupid and the Three Graces

Raphael

In this fresco (1518), Raphael portrays Cupid with the Three Graces, who embody beauty, charm, and joy. The scene reflects the harmony of love and divine favor, integral to Psyche’s myth. Framed by Giovanni da Udine’s botanical festoons, it blends mythology with Renaissance ideals of grace and abundance.

Galleria Borghese

Roman Civilization and the Heroic Virtue of Honor

Mariano Rossi

This illusionistic ceiling (1775) shows a vortex of gods, heroes, and allegorical figures arranged in rising spirals. Rossi organized the composition with deep foreshortening to create a theatrical Baroque panorama. The central burst of light frames scenes of conflict and ascent, indicating how Roman culture linked civic honor with collective greatness.

Hôtel-Dieu

The Damned in Torment

Rogier van der Weyden

This detail from the Last Judgment Altarpiece (1445–50) intensifies the vision of damnation. Naked figures twist and collide as they plunge into dark flames, their limbs tangled in chaotic knots. Strained muscles and distorted faces display a studied range of terror and despair. For patients and caregivers at the Hôtel-Dieu, such visceral imagery sharpened awareness of sin, repentance, and the uncertainty of salvation.

Independence Museum

Champán en el río Magdalena

De la Rue & Torres Méndez

This 1878 lithograph depicts a champán, a flat-bottomed river raft common on the Magdalena River, propelled by Afro-Colombian workers using long poles. Wealthy passengers rest under a thatched shelter, highlighting the stark racial and class divisions of the era. The image captures both Colombia’s natural landscape and its colonial labor hierarchies in transition.

Meadows Museum

Queen Mariana

Diego Velázquez

Diego Velázquez’s portrait of Queen Mariana (c. 1656) captures the young queen with sensitivity, highlighting her regal authority and personal nuance. Painted during her early years as Philip IV’s wife, it is part of a series of likenesses that served as studies for larger compositions. These studies influenced other works, including those in Barcelona and Madrid.

Museo Luis Alberto Acuña

Bochica Teaching the Muisca

Luis Alberto Acuña

This 1960-70s mural depicts Bochica, the bearded sage and civilizing hero of Muisca mythology, imparting moral and spiritual lessons. Seated before young disciples, he holds symbols of power and knowledge, including a woven banner. A revered figure, Bochica was believed to have formed the Tequendama Falls and taught the Muisca how to live harmoniously.

Castello Sant'Angelo

Grotesque Fantasy with Beasts

Perino del Vaga, Rietti Domenico

This fresco (1545–46) shows a rainbow-like arch filled with hybrid beasts, winged creatures, feline predators, and playful putti (cherubic child figures) arranged over a pale ground. The painters adapt the Roman taste for grottesche (fantastic ornamental motifs) rediscovered in ancient ruins. Their dense fantasy best reveals how Renaissance courts used such imagery to turn walls into imaginative spectacle.

01 / 15
Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

AI Search