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Galleria Borghese

The Rape of Proserpina

Bernini

In this stunning detail of Bernini’s marble group (1621–22), Pluto’s fingers sink into Proserpina’s thigh with unnerving realism, while her twisting form and anguished face heighten the emotional intensity. The composition’s tactile illusionism and psychological drama mark a defining triumph of early Baroque sculpture.

Chapultepec Castle (National History Museum)

Detail from Retablo de la Independencia

Juan O'Gorman

This mural detail (1960–61) dramatizes colonial brutality during Mexico’s struggle for independence (1810–1821). A near-nude man is tortured before Spanish troops and clergy, symbolizing oppression. At left appear insurgent leaders Miguel Hidalgo and José María Morelos, while nobles and clerics in bright dress embody privilege. The peasants and child at right embody the pueblo whose suffering and resilience fueled the revolt for freedom.

Fondation Louis Vuitton

Sudden Awakening

Zhang Huan

This large Buddha head sculpture (2006) lies fragmented on the ground, its heavy upper section slightly shifted above closed eyes and rough, ash-coated features. Formed from ash and steel, it draws on materials linked to ritual burning and industrial residue. The broken, weighty face reveals how contemporary Buddhist art confronts impermanence and the tension between spiritual ideals and material collapse.

Caravaggio's Roman Period

The Penitent Magdalene

Caravaggio

This painting (1594–95) shows Mary Magdalene seated in repentance, jewels cast aside at her feet. With downcast eyes and folded hands, she embodies both sensual beauty and spiritual transformation. Caravaggio merges naturalism with sacred symbolism, turning penitence into a deeply human, intimate moment of grace.

Villa Farnesina

The Wedding Banquet of Cupid and Psyche

Raphael

In this grand fresco (1518), Raphael depicts the divine banquet celebrating the marriage of Cupid and Psyche. At the center, Jupiter and Juno preside; beside them sit Pluto, Persephone, Neptune, and Venus. Ganymede offers wine to Jupiter, while Bacchus (Dionysus), assisted by putti, pours wine at the right. The scene embodies divine harmony, joy, and the union of soul and love.

Museo Botero

The Painter and His Model

Fernando Botero

Fernando Botero's The Painter and His Model (1984) humorously subverts the traditional artist-muse dynamic. The painting features a voluptuous nude model dominating the canvas, while the artist, dwarfed behind his easel, peers out with a palette in hand. This playful inversion highlights themes of power, beauty, and authorship, celebrating physical abundance with irony and affection. Botero's work invites reflection on the nature of artistic creation and the roles within it.

Ásgrímur Jónsson Museum

The Prayer

Einar Jónsson

Created in 1909 and later cast in bronze, this sculpture shows a kneeling woman embracing a praying child, merging maternal love with spiritual devotion. Jónsson, pioneer of Icelandic sculpture, wove Nordic symbolism into works that joined earthly care and divine aspiration. His 1909 donation of all his art to the nation ensured the founding of Iceland’s first art museum in 1923, making pieces like The Prayer central to national identity.

Meadows Museum

Queen Mariana

Diego Velázquez

Diego Velázquez’s portrait of Queen Mariana (c. 1656) captures the young queen with sensitivity, highlighting her regal authority and personal nuance. Painted during her early years as Philip IV’s wife, it is part of a series of likenesses that served as studies for larger compositions. These studies influenced other works, including those in Barcelona and Madrid.

Pinacoteca Ambrosiana

Madonna of the Towers

Bramantino

This tempera and oil painting (1515–20) presents the Madonna and Child enthroned between Saint Ambrose and Saint Michael. Set before fortified towers symbolizing Marian protection, the composition reflects Leonardo’s influence in its symmetry and restraint. Below, a toad representing the Devil lies defeated, underscoring the Virgin’s triumph over evil.

Galleria Borghese

The Rape of Proserpina

Gian Lorenzo Bernini

From this angle, Bernini’s technical genius is apparent. Pluto’s gripping hands sink into Proserpina’s flesh with astonishing realism, turning marble into living form. The work (1621–22) stages emotional and physical tension at its peak, embodying the Baroque goal of stirring awe, drama, and pathos in a single breathtaking moment.

Pinacoteca Ambrosiana

Rest on the Flight to Egypt

Jacopo Bassano

In this luminous canvas (c. 1547), Bassano blends biblical narrative with rustic realism. The Holy Family, joined by shepherds and animals, pauses under a tree. The tender gesture of the Child reaching for Joseph evokes familial warmth amid hardship, while the detailed pastoral setting links divine history to everyday Venetian life.

Château de Chantilly

Expulsion from Eden

Maître des Médaillons

This French manuscript miniature (early 15th c.) shows Adam and Eve after the Fall, modestly covering themselves with leaves. An angel descends with a robe, while the Tree of Knowledge burns red above them. To the right stands a stone building, symbolizing exile from Paradise. The vivid colors and fine detail reflect late medieval devotional art.

Villa Farnesina

Triumph of Galatea (detail)

Raphael

Painted by Raphael’s workshop (1511–1512), this fragment depicts the sea nymph Galatea triumphantly riding a shell chariot, drawn by dolphins and surrounded by marine gods. Inspired by classical mythology, the scene celebrates ideal beauty, love, and movement, blending Renaissance harmony with dynamic mythological fantasy.

Dalí Theatre-Museum

Geological Echo. La Pietà

Salvador Dalí

Dalí reinterprets Michelangelo’s La Pietà, merging sacred imagery with surreal geological forms (1982). The figures’ bodies become fragmented landscapes, symbolizing the erosion of memory and time. Created during Gala’s final years, the work reflects personal grief, exploring themes of love, loss, and the unconscious through voids that resonate with emotional depth and introspection.

Raphael - The School of Athens

Raphael and Perugino (detail)

Raphael

This section of The School of Athens (1509-11) features a rare self-portrait of Raphael (center) alongside his teacher Perugino (right). Originating from the Italian High Renaissance, the work subtly inserts the artist into the legacy of classical knowledge, aligning painters with philosophers as bearers of intellectual ideals.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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