Travel With Max Learn  •  Admire  •  Soar
Pinacoteca Ambrosiana

St John the Baptist

Salaino

This sensuous portrayal of John the Baptist (early 16th c.) blends spiritual solemnity with ambiguous allure. Influenced by Leonardo da Vinci, the figure’s delicate features and mysterious smile reflect a complex merging of divine grace and human beauty, inviting contemplation beyond doctrine.

Frida Kahlo Museum

Self-Portrait with Stalin

Frida Kahlo

Painted in 1954, right before death, this political work shows Kahlo seated beside an imposing image of Stalin, whom she revered late in life. The portrait—originally titled Peace on Earth so the Marxist Science may Save the Sick and Those Oppressed by Criminal Yankee Capitalism—reflects her Marxist convictions and final artistic ideological defiance.

Pinacoteca Ambrosiana

Male Portrait

Hans Muelich

This portrait (c. 1550) reflects the refined realism of the German Renaissance. The sitter’s composed gaze, luxurious attire, and elegant glass signify affluence and cultured leisure. The distant path and village in the background may allude to the subject’s journey, social standing, or inner world.

Fondation Louis Vuitton

Eternity - The Soldier of Marathon Announcing Victory

Xu Zhen

This 2011 sculpture installation Eternity – Eternity - The Soldier of Marathon Announcing Victory, a Wounded Galatian fuses classical Greek forms with contemporary fragmentation. Crafted from concrete, fiberglass, marble powder, and metal, the sequence begins with a whole figure and gradually breaks apart, evoking cultural transformation and the erosion of historical continuity.

Museo Luis Alberto Acuña

Mapiripana

Luis Alberto Acuña

Inspired by a myth from La Vorágine (a novel by José Eustasio Rivera), this 1950s painting depicts Mapiripana, a river spirit who guards silence and nature’s purity. When a missionary attempts to capture her, she punishes him by birthing monstrous twins—a vampire and an owl. In his final feverish agony, he sees a blue butterfly, symbol of his soul’s escape and eternal remorse.

Villa Farnesina

Triumph of Galatea (detail)

Raphael

Painted by Raphael’s workshop (1511–1512), this fragment depicts the sea nymph Galatea triumphantly riding a shell chariot, drawn by dolphins and surrounded by marine gods. Inspired by classical mythology, the scene celebrates ideal beauty, love, and movement, blending Renaissance harmony with dynamic mythological fantasy.

Pinacoteca Ambrosiana

The Infant Jesus with a Lamb

Bernardino Luini

This oil and tempera on panel (c. 1525) captures the tenderness of the Infant Jesus, or Gesu Bambino, embracing a lamb—a symbol of his future sacrifice as the Lamb of God. Luini’s High Renaissance style blends divine purity and human innocence, creating a serene image of spiritual love and redemptive foreshadowing.

Pinacoteca Ambrosiana

Saint Anthony the Hermit

Jan Brueghel

This tranquil painting (early 17th c.) shows Saint Anthony seated at the mouth of a cave, gazing contemplatively toward the city and sea. The vivid flora and distant harbor contrast with his solitude, symbolizing the tension between worldly life and spiritual retreat. A vision of a sacred altar within the cave suggests divine presence in the midst of earthly temptation.

Palacio de Bellas Artes

Man, Controller of the Universe

Diego Rivera

This monumental mural (1934) shows a central worker operating a machine that aligns planetary, biological, and industrial forces. Rivera recreates and expands his destroyed Rockefeller Center fresco for a Mexican audience, filling the scene with scientists, workers, and political leaders. The contrast between capitalist luxury and organized labor articulates his Marxist belief that technology should serve collective progress.

Rodel Tapaya Exhibit "Urban Labyrinth"

Instant Gratification

Rodel Tapaya

This work (2018) reinterprets the Filipino fable of The Monkey and the Turtle, placing its lesson within a crowded jungle of gambling stalls and restless figures. Monkeys embody the tale’s impatience and hunger for quick gain, while a small turtle-the steady effort outlasts reckless desire. Log piles, patterned trunks, and theatrical foliage frame a world driven by instant gratification and easy profit. Tapaya adapts indigenous storytelling to expose modern cycles of greed.

Palacio de Bellas Artes

Man, Controller of the Universe

Diego Rivera

This mural (1934), a replica of Rivera’s censored Rockefeller Center fresco, places a worker at the symbolic axis of modernity. He guides cosmic, scientific, and political forces—flanked by socialism on the left and capitalism on the right. Lenin’s presence affirms Rivera’s Marxist ideals, asserting art’s power to envision revolutionary futures.

Palacio de Bellas Artes

Inframundo Maya

Rina Lazo

In this mural (2019), Lazo reimagines Xibalba—the Mayan underworld—through the lens of the Popol Vuh. The Hero Twins traverse rivers, deities oversee sacrifice and desire, and spirits haunt the sacred landscape. Blending myth and memory, the artist fuses political vision with ancestral wisdom in her final celebration of Maya cosmology.

Ásgrímur Jónsson Museum

Earth

Einar Jónsson

This sculpture (1904–08) depicts a human figure cradling a smaller, draped form, symbolizing the Earth or nature. Jónsson, an Icelandic sculptor, is known for his symbolic and allegorical works exploring mythology, spirituality, and the human condition. This piece reflects his exploration of humanity’s connection to the natural world and the spiritual realm.

Hôtel-Dieu

Archangel Michael Weighing Souls

Rogier van der Weyden

In this panel from the Last Judgment Altarpiece (1445–50), Archangel Michael dominates the scene, balancing souls in golden scales as Christ presides above. Trumpeting angels herald resurrection while the blessed and damned await their fate. Painted for Beaune’s Hôtel-Dieu, the work reminded patients that earthly suffering was framed within the ultimate hope of divine justice and salvation.

Palace of the Inquisition

Aún Hay Tiempo

Julio César Ojeda Ariza

This 2021 work blends oil and ink to portray a woman whose hair becomes a lush tapestry of biodiversity and rural life. Symbolizing Colombia’s natural and cultural abundance, it warns of its fragility. The title, There’s Still Time, urges collective action to preserve the environment and ancestral wisdom.

01 / 15
Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

AI Search