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Exhibit of Master of Flammelle & Rogier van der Weyden

Mérode Altarpiece Central Panel

Robert Campin

This panel (c.1425–1428) shows Mary reading as Gabriel arrives. Domestic details carry layered meaning: the open book signals devotion, the lily purity, and the candle the Incarnation. The water jug with a white cloth evokes Mary’s virginity, while the enclosed garden glimpsed outside recalls her chastity. Named after later owners, the Mérode family, the work unites divine mystery with Flemish household realism.

Villa Farnesina

The Fall of Phaeton

Sebastiano del Piombo

This fragment (c. 1511) shows Phaeton falling from the sky after failing to control the sun chariot of his father Helios. To save the world, Zeus strikes him down. Part of Sebastiano del Piombo’s mythological cycle at Villa Farnesina, it complements Raphael’s Triumph of Galatea with a dramatic warning against hubris.

Pinacoteca Ambrosiana

Saint Anthony the Hermit

Jan Brueghel

This tranquil painting (early 17th c.) shows Saint Anthony seated at the mouth of a cave, gazing contemplatively toward the city and sea. The vivid flora and distant harbor contrast with his solitude, symbolizing the tension between worldly life and spiritual retreat. A vision of a sacred altar within the cave suggests divine presence in the midst of earthly temptation.

Museu do Amanhã

Puffed Star

Frank Stella

Installed before the Museum of Tomorrow in Rio de Janeiro (2016), this metallic sculpture by American artist Frank Stella dazzles with radiating points and mirrored planes. Its star-like form evokes cosmology and perception, inviting reflection on the interconnectedness of space, matter, and human imagination.

Exhibit of Master of Flammelle & Rogier van der Weyden

Christ Blessing with Virgin at Prayer

Master of Flémalle

This 15th-c. oak panel by the Master of Flémalle, often associated with Robert Campin, exemplifies early Netherlandish style. It showcases realistic detail through innovative oil paint use. The depiction of Christ blessing and the Virgin Mary at prayer reflects the era’s religious devotion and artistic innovation, marking a pivotal moment in European art’s evolution.

Duomo di Milano

Altar of Saint John Bono

Elia Vincenzo Buzzi

This monumental altar (c. 1763) in the Milan Cathedral honors Saint John Bono, a 13th-c. bishop known for his piety and service. The central figure is framed by angels and crowned by the inscription Ego sum pastor bonus (I am the Good Shepherd), evoking Christ-like compassion and episcopal authority.

Museu Frederic Marès

The Appearance of Christ to the Disciples

Master of Cabestany

This 12th-c. Romanesque sculpture by the Master of Cabestany depicts Christ revealing himself to his disciples after the resurrection. The artist is known for figures with large heads, flat foreheads, long noses, and almond-shaped eyes. Likely from the monastery of Sant Pere de Rodes, the work exemplifies the Master of Cabestany’s influence across Southern Europe, from Tuscany to Navarre.

Museo Nazionale Romano Palazzo Massimo

Apollo

Phidias

This ivory mask (5th c. BC) represents Apollo-Greek god of light, music, and prophecy-and once belonged to a chryselephantine statue (a prestigious cult image of ivory and gold). Attributed to Phidias, the master sculptor of classical Greece, it is an exceptionally rare survival of this luxury art form. Looted in 1995 and recovered in 2003, it now serves as both a rare survival of luxury cult sculpture and a reminder of ongoing threats to archaeological heritage.

Palacio de Bellas Artes

Man, Controller of the Universe

Diego Rivera

This monumental mural (1934) shows a central worker operating a machine that aligns planetary, biological, and industrial forces. Rivera recreates and expands his destroyed Rockefeller Center fresco for a Mexican audience, filling the scene with scientists, workers, and political leaders. The contrast between capitalist luxury and organized labor articulates his Marxist belief that technology should serve collective progress.

Villa Farnesina

Dionysian Procession

Raphael

In this scene (1518), Raphael depicts Bacchus (Dionysus) leading a joyful procession of Maenads, Satyrs toward Cupid and Psyche’s wedding. The central Maenad, in ecstasy, embodies the Dionysian cult of revelry, blending divine intoxication with theatrical festivity.

Museo Botero

Woman with Umbrella

Fernando Botero

A solitary figure walks through a forest, her reflection mirrored below as if suspended between worlds. Her voluminous dress and umbrella contrast with the vertical rhythm of the trees. With surreal calm and poetic symmetry, Botero (1989) transforms a simple stroll into a meditation on solitude, identity, and the quiet theatricality of everyday life.

Bourdelle Museum

Hercules the Archer

Antoine Bourdelle

This plaster sculpture (1906–09) shows Hercules, the Greek hero, drawing his bow with taut energy. Bourdelle captures both physical strain and mythic power, fusing classical subject with modern dynamism. The work marks a turning point in early 20th-c. sculpture, bridging academic tradition with expressive innovation.

Palacio de Bellas Artes

Man, Controller of the Universe

Diego Rivera

This mural (1934), a replica of Rivera’s censored Rockefeller Center fresco, places a worker at the symbolic axis of modernity. He guides cosmic, scientific, and political forces—flanked by socialism on the left and capitalism on the right. Lenin’s presence affirms Rivera’s Marxist ideals, asserting art’s power to envision revolutionary futures.

Ásgrímur Jónsson Museum

Earth

Einar Jónsson

This sculpture (1904–08) depicts a human figure cradling a smaller, draped form, symbolizing the Earth or nature. Jónsson, an Icelandic sculptor, is known for his symbolic and allegorical works exploring mythology, spirituality, and the human condition. This piece reflects his exploration of humanity’s connection to the natural world and the spiritual realm.

Galleria Borghese

The Rape of Proserpina

Bernini

In this stunning detail of Bernini’s marble group (1621–22), Pluto’s fingers sink into Proserpina’s thigh with unnerving realism, while her twisting form and anguished face heighten the emotional intensity. The composition’s tactile illusionism and psychological drama mark a defining triumph of early Baroque sculpture.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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