Travel With Max Learn  •  Admire  •  Soar
Frida Kahlo Museum

Viva la Vida, Watermelons

Frida Kahlo

Painted just days before her death in 1954, this still life features ripe watermelons—some whole, some cut—bursting with color and vitality. The inscription Viva la Vida (Long Live Life) appears carved into a slice, signed and dated by Kahlo. Though her body was failing, this joyful image radiates defiance and reverence for life’s beauty amid suffering.

Ásgrímur Jónsson Museum

Earth (Mother Earth)

Einar Jónsson

Einar Jónsson’s sculpture (1904–1908) portrays a monumental figure cradling a smaller, draped form symbolizing Earth. Blending allegory and myth, it reflects Icelandic spirituality and cultural narratives. The work embodies humanity’s protective yet dependent bond with nature, inviting reflection on cosmic order and the fragility of existence.

Pinacoteca Ambrosiana

Madonna of the Towers

Bramantino

This tempera and oil painting (1515–20) presents the Madonna and Child enthroned between Saint Ambrose and Saint Michael. Set before fortified towers symbolizing Marian protection, the composition reflects Leonardo’s influence in its symmetry and restraint. Below, a toad representing the Devil lies defeated, underscoring the Virgin’s triumph over evil.

Meadows Museum

Queen Mariana

Diego Velázquez

Diego Velázquez’s portrait of Queen Mariana (c. 1656) captures the young queen with sensitivity, highlighting her regal authority and personal nuance. Painted during her early years as Philip IV’s wife, it is part of a series of likenesses that served as studies for larger compositions. These studies influenced other works, including those in Barcelona and Madrid.

Santa Maria Sopra Minerva

The Risen Christ

Michelangelo

Michelangelo's The Risen Christ (1521) depicts the resurrected Christ holding a cross, symbolizing triumph over death. This marble statue embodies Renaissance humanism, blending classical beauty with spiritual dignity. The idealized nude form reflects the fusion of divine suffering and victory, showcasing Michelangelo's mastery in capturing both physical perfection and profound spiritual themes.

St. Ignazio di Loyola

The Apotheosis of St. Ignatius

Andrea Pozzo

This Baroque trompe-l’œil painting (1685–94) transforms the flat ceiling into a soaring heavenly vision. St. Ignatius is welcomed into paradise by Christ and the Virgin, while allegories of the continents celebrate Jesuit missions. Pozzo’s masterful illusionism merges faith, perspective, and global ambition.

Pinacoteca Ambrosiana

Mary Magdalene

Titian

This intimate portrayal of Mary Magdalene (c. 1560) captures the saint in a moment of spiritual ecstasy. Covered by cascading hair, her body becomes a vessel of penitence and divine grace. Titian’s sensual rendering reflects the Renaissance ideal of redemptive beauty and the transformative power of divine love.

Villa Farnesina

Cupid and the Three Graces

Raphael

In this fresco (1518), Raphael portrays Cupid with the Three Graces, who embody beauty, charm, and joy. The scene reflects the harmony of love and divine favor, integral to Psyche’s myth. Framed by Giovanni da Udine’s botanical festoons, it blends mythology with Renaissance ideals of grace and abundance.

Keith Haring Mural

Tuttomondo

Keith Haring

This section of Tuttomondo (1989) showcases Keith Haring’s vibrant visual language with simplified human forms, radiant lines, and vivid colors in rhythmic harmony. The mural, painted in Pisa, celebrates peace and collective action, with each figure symbolizing a social or spiritual force working toward global unity. Haring’s work demonstrates the power of art to convey universal themes of cooperation and harmony.

Museo Nazionale Romano Palazzo Massimo

Discobolus

Myron

This Roman marble statue (mid-2nd c.) is a faithful copy of Myron’s Greek bronze Discobolus (c. 450 BC). It depicts an athlete in a dynamic pose, poised to release a discus, showcasing the Greek exploration of human form and movement. The sculpture highlights the tension and grace of athletic prowess, reflecting Roman admiration for Greek art and the enduring legacy of classical ideals in depicting the human body.

Galleria Borghese

The Entombment (detail)

Raphael

This masterpiece (1507) shows a group of figures surrounding the lifeless body of Christ, merging themes of Deposition, Lamentation, and Entombment. Commissioned by Atalanta Baglioni, it honors her murdered son. Raphael’s composition shows Michelangelo’s influence in the sculptural form of Christ. A 2020 restoration revealed refinements in Raphael’s underdrawing, pigment choices, and layered modeling, clarifying how he built depth and anatomical precision.

Palacio de Bellas Artes

Man, Controller of the Universe (detail)

Diego Rivera

This section of Rivera’s 1934 recreated mural shows Lenin uniting workers of different races and nations, flanked by scientific, agricultural, and cosmic imagery. It contrasts socialism’s collective promise with capitalist individualism. The original was destroyed at Rockefeller Center.

St. Ignazio di Loyola

The Apotheosis of St. Ignatius

Andrea Pozzo

Max captures The Apotheosis of St. Ignatius (1685–1694) using a viewing mirror beneath the ceiling, enhancing Pozzo’s Baroque illusionism. This optical device unveils the masterful perspective that transforms the flat vault into a celestial vision, merging art and exemplifying the Baroque fascination with perspective: a dynamic interplay between earthly and divine realms.

Memorial Museum of Dominican Resistance

El pueblo en lucha

Ramón Oviedo

This mural (2013) shows a bound, faceless figure hurling itself toward the dark mouths of cannons, while ghostly soldiers and crowds emerge in the background. The scene recalls the Dominican struggle against dictatorship and foreign intervention in the 20th c. By fusing a single straining body with collective, blurred forms, Oviedo concentrates individual sacrifice into a broader history of resistance.

Pinacoteca Ambrosiana

Holy Family with Saints John, Tobias, and Raphael

Bonifazio Veronese

This Venetian Renaissance oil-on-canvas work (1525–27) expands the traditional Holy Family to include St John, Tobias, and the Archangel Raphael. Rich in color and detail, it blends divine iconography with human warmth, echoing the era’s interest in sacred storytelling through vivid, earthly scenes.

01 / 15
Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

AI Search