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Fondation Louis Vuitton

Eternity - The Soldier of Marathon Announcing Victory

Xu Zhen

This 2011 sculpture installation Eternity – Eternity - The Soldier of Marathon Announcing Victory, a Wounded Galatian fuses classical Greek forms with contemporary fragmentation. Crafted from concrete, fiberglass, marble powder, and metal, the sequence begins with a whole figure and gradually breaks apart, evoking cultural transformation and the erosion of historical continuity.

Pinacoteca Ambrosiana

Adoration of the Christ Child

Bramantino

In this tempera panel (c. 1485), the Milanese innovator arranges the Nativity as a cool study of space. The Child rests on a stone slab, flanked by Mary and Saints Bernardino, Francis, and Benedict, while angel musicians provide a celestial motet. Rigid perspective, sculptural figures, and an architectonic backdrop reveal Bramantino’s quest for mathematical order within devotional feeling.

Villa Farnesina

Venus and the Doves

Raphael

In this fresco (1518), Raphael presents Venus, goddess of love, gracefully accompanied by doves, her sacred birds. The flowing ribbon emphasizes her divine beauty and motion, while the doves allude to purity and erotic desire. The image echoes Venus’ central role in the myth of Cupid and Psyche, where love governs both divine and mortal fates.

Villa Farnesina

Dionysian Procession

Raphael

In this scene (1518), Raphael depicts Bacchus (Dionysus) leading a joyful procession of Maenads, Satyrs toward Cupid and Psyche’s wedding. The central Maenad, in ecstasy, embodies the Dionysian cult of revelry, blending divine intoxication with theatrical festivity.

Museo Luis Alberto Acuña

A Dangerous Whisper

Luis Alberto Acuña

This mural (1950s) by Luis Alberto Acuña depicts a man whispering seductively into a woman’s ear while she listens with a mix of curiosity and restraint. The intimate gesture contrasts with the servant above, who quietly performs her duties, reinforcing themes of gender dynamics, social roles, and the tension between desire and decorum in colonial society.

Château de Chantilly

Simonetta Vespucci as Cleopatra

Piero di Cosimo

This painting (c. 1480) by di Cosimo depicts Simonetta Vespucci as Cleopatra, with an asp coiled around her neck. Created posthumously, it honors Vespucci’s beauty; she died in 1476 at 23. The profile view echoes medal portraits, while the snake may symbolize her death from tuberculosis. The serene landscape and sky enhance her ethereal presence, making this work a poignant tribute.

Galleria Borghese

Adoration of the Child (detail)

Fra Bartolomeo

This tondo or circular painting (c.1495), Mary and Joseph kneel in reverence before the infant Christ, who rests on a sack amid delicate vegetation. The ruined architecture behind them symbolizes the fall of paganism, while the balanced composition and radiant palette reflect Bartolomeo’s early embrace of Renaissance ideals.

Galleria Borghese

The Rape of Proserpina

Bernini

In this stunning detail of Bernini’s marble group (1621–22), Pluto’s fingers sink into Proserpina’s thigh with unnerving realism, while her twisting form and anguished face heighten the emotional intensity. The composition’s tactile illusionism and psychological drama mark a defining triumph of early Baroque sculpture.

Tintoretto, Birth of a Genius

Adam and Eve in the Garden of Eden

Tintoretto

Tintoretto’s work (1550–1553) depicts the biblical moment of temptation in the Garden of Eden. Eve, holding the forbidden fruit, entices Adam, who hesitates, capturing the tension between desire and conscience. The background suggests their impending expulsion, a consequence of their choice. Dramatic lighting highlights the figures, emphasizing their forms and the scene’s gravity.

Rodin Museum

The Cathedral

Auguste Rodin

This 1908 sculpture features two right hands reaching towards each other, symbolizing connection and unity. Initially named The Arch of Alliance, it was inspired by Gothic cathedral rib vaults and renamed in 1914. The texture and interplay of light and shadow evoke prayer and contemplation. This work marks Rodin’s shift from realism to modernism, emphasizing emotional depth over physical form.

Church of San Francisco

Andean Baroque Ceiling Panel

Manuel Chili (Capiscara)

This carved and gilded ceiling panel (1770–80) shows radiant faces, golden beams, and floral motifs arranged around a central sunburst. Produced in late-colonial Quito, it aligns with the Andean baroque’s celestial imagery. Caspicara joined Catholic cosmology with Indigenous conceptions of ordered, sacred geometry.

Hôtel-Dieu

Christ the Judge

Rogier van der Weyden

At the summit of the Last Judgment Altarpiece (1445–50), Christ sits enthroned on a rainbow, resting his feet on a golden globe that symbolizes dominion over the world. He raises his right hand in blessing, while his left gestures toward judgment. The sword and lily flanking him signify justice and mercy, balancing wrath with compassion. Draped in vivid red, Christ embodies divine authority, anchoring the entire altarpiece in the promise of eternal judgment and salvation.

Dalí Theatre-Museum

The Courtyard of the Wind Palace

Salvador Dalí

Dalí’s surreal installation (1970s) features golden female mannequins resembling votive icons in windows surrounding a central bronze figure of Venus crowned with a ship. This work merges classical motifs with theatrical elements, creating a fantastical vision of fertility, mythology, and voyeurism, showcasing Dalí’s unique blend of art and architecture.

Raphael - The School of Athens

Euclid Teaching Geometry

Rapahel

In this vibrant lower-right scene from The School of Athens (1509–1511), Raphael presents Euclid demonstrating geometric principles with a compass. Painted in Rome during the High Renaissance, this detail celebrates empirical learning as foundational to human knowledge. The intense focus of his young onlookers reflects the Renaissance ideal of rediscovering ancient scientific wisdom through observation and reason.

Villa Farnesina

Hercules and the Hydra

Baldassarre Peruzzi

This ceiling fresco (c. 1510) in the Hall of the Perspectives shows Hercules battling the multi-headed Hydra. The creature symbolizes the zodiac sign Cancer, aligning with the room’s astrological theme. Peruzzi demonstrates heroic virtue triumphing over chaos and earthly temptation, reflecting Renaissance ideals of order and moral strength.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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