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佛的五十只手臂(局部)
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佛的五十只手臂(局部)Huang Yong Ping

这件装置作品(1997)呈现向上伸展的赤陶手臂,其中一只托起一尊小型坐像,另一只则在空白背景前悬停在旁。作品通过与马塞尔·杜尚及“现成品”(将日常物品重新作为艺术)的相关策略,重新演绎千手佛的母题。通过将宗教崇拜形式与现成组件相结合,黄氏检验神圣符号在当代全球艺术中的流通方式.
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